Paul Sharits Movies
- 1975

Apparent Motion
Apparent Motion01975HD
The images for this project were first obtained by enlarging, with an optical printer, frames of evenly distributed grain particles from a black and...
![Apparent Motion]()
- 1976

Dream Displacement
Dream Displacement01976HD
Film by Paul Sharits presented as double projection theatrically and quadruple projection in galleries.
![Dream Displacement]()
- 1976

Tails
Tails7.21976HD
A series of tail ends of varied strips of film, with sometimes recognizable images dissolving into light flares, appear to run through and off of a...
![Tails]()
- 1977

Declarative Mode
Declarative Mode01977HD
The film consists of two identical prints shown simultaneously, one projected inside the image of the other. The inner image is out of sync one...
![Declarative Mode]()
- 1968

Razor Blades
Razor Blades4.91968HD
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli....
![Razor Blades]()
- 2006

Funtime at the Vasulkas
Funtime at the Vasulkas02006HD
A recording of a meeting in the studio where Jeffrey Schier and Woody show colleagues and teachers a new tool. Between 1976 and 1980, Woody and...
![Funtime at the Vasulkas]()
- 1971

S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED
S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED4.31971HD
Streaming, scratched lines continuously appear two at a time over images of flowing water.
![S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED]()
- 1965

Wrist Trick
Wrist Trick6.81965HD
Various gestures of hand held razorblade, single frame exposures.
![Wrist Trick]()
- 1974

Vertical Contiguity
Vertical Contiguity01974HD
Paul Sharits short work
![Vertical Contiguity]()
- 1972

Sound Strip/Film Strip
Sound Strip/Film Strip31972HD
Sound Strip / Film Strip is Paul Sharits' first "Locational" work, made in collaboration with Bill Brand. The piece was commissioned for the 1972...
![Sound Strip/Film Strip]()
- 1971

Analytical Studies I: The Film Frame
Analytical Studies I: The Film Frame01971HD
A set of short pure color studies, usually exploring one dominant hue. Most of these works were studies for longer projects. The last four "migraine"...
![Analytical Studies I: The Film Frame]()
- 1969

T,O,U,C,H,I,N,G
T,O,U,C,H,I,N,G5.81969HD
T,O,U,C,H,I,N,G uses flickering frames of solid color juxtaposed with positive and negative still images of a man—sometimes cutting off his own...
![T,O,U,C,H,I,N,G]()
- 1974

Analytical Studies III - Color Frame Passages
Analytical Studies III - Color Frame Passages01974HD
The film consists of seven sections: the first section, "Specimen I," a "flicker" film, is the subject for the other sections of ANALYTICAL STUDIES...
![Analytical Studies III - Color Frame Passages]()
- 1974

Synchronousoundtracks
Synchronousoundtracks01974HD
![Synchronousoundtracks]()
- 1974

The Forgetting of Impressions and Intentions
The Forgetting of Impressions and Intentions01974HD
Footage of a strip of damaged film.
![The Forgetting of Impressions and Intentions]()
- 1968

N:O:T:H:I:N:G
N:O:T:H:I:N:G4.51968HD
“The screen, illuminated by Paul Sharits’ N:O:T:H:I:N:G, seems to assume a spherical shape, at times – due, I think, to a...
![N:O:T:H:I:N:G]()
- 1971

Analytical Studies II: Unframed Lines
Analytical Studies II: Unframed Lines01971HD
A highly varied and playful series of short sketches involving induced camera "mistakes," printing "errors" and various "assaults" upon film (some...
![Analytical Studies II: Unframed Lines]()
- 1984

Brancusi's Sculpture Garden at Tirgu Jiu
Brancusi's Sculpture Garden at Tirgu Jiu01984HD
A chronicle of Sharits' 1977 visit to Romania to experience three of Brancusi's most famous sculptures.
![Brancusi's Sculpture Garden at Tirgu Jiu]()
- 1976

Analytical Studies IV: Blank Color Frames
Analytical Studies IV: Blank Color Frames01976HD
Like ANALYTICAL STUDIES I, these short works each develop a different rhythmic and/or melodic idea using only rapid successions of color frames. The...
![Analytical Studies IV: Blank Color Frames]()
- 1977

On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?5.11977HD
“Freud established that jokes were structurally akin to dreams in their use of condensation, displacement, representation by opposites, punning...
![On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?]()


















