Michael Brynntrup Movies

  • 1993
    Schramm

    Schramm

    Schramm

    5.81993HD

    Lothar Schramm is a simple man with complex problems, yet he seems like such a nice guy. He works as a taxi driver and lives by himself where he is ha...

    Schramm
  • 1991
    Love, Jealousy and Revenge

    Love, Jealousy and Revenge

    Love, Jealousy and Revenge

    11991HD

    Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering.

    Love, Jealousy and Revenge
  • 2004
    E.K.G. Expositus (die öffentlichen und die künstlerischen Medien)

    E.K.G. Expositus (die öffentlichen und die künstlerischen Medien)

    E.K.G. Expositus (die öffentlichen und die künstlerischen Medien)

    02004HD

    Immanuel Kant Hospital in Neukölln, Berlin. Midnight. A patient is being admitted. TV journalists are on the spot. The beginning of a story that tells...

    E.K.G. Expositus (die öffentlichen und die künstlerischen Medien)
  • 1995
    Aide Mémoire

    Aide Mémoire

    Aide Mémoire

    11995HD

    Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup, - privat discourses and personal investigations of how to deal with images of...

    Aide Mémoire
  • 1998
    Tabu V (About Which One Cannot Speak)

    Tabu V (About Which One Cannot Speak)

    Tabu V (About Which One Cannot Speak)

    01998HD

    About which one cannot speak, one must make films. (loosely based on Ludwig Wittgenstein)

    Tabu V (About Which One Cannot Speak)
  • 1990
    The Statics: Engineering Memory Bridges

    The Statics: Engineering Memory Bridges

    The Statics: Engineering Memory Bridges

    01990HD

    Rests and tests from the inquiry into prototypes. Formal proofs through pregnant experiments on one's own body.

    The Statics: Engineering Memory Bridges
  • 1990
    Narcissus & Echo

    Narcissus & Echo

    Narcissus & Echo

    01990HD

    A film in the form of a riddle is a special kind of entertainment film whereby the film's content must be deduced from the film's formal structure.

    Narcissus & Echo