Steina Vasulka Movies
- 1977

Orbital Obsessions
Orbital Obsessions01977HD
Documentation and experimentation in real time, "Orbital Obsessions" is an example of early video self-portraiture, eerie and calm in its radical...
![Orbital Obsessions]()
- 1981

Progeny
Progeny01981HD
Progeny is a collaboration with sculptor Bradford Smith. Smith's organic and sensual sculptural forms are transformed by the merging of one of...
![Progeny]()
- 1972

Distant Activities
Distant Activities61972HD
Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio...
![Distant Activities]()
- 2000

Warp
Warp02000HD
In Warp, Steina makes use of her two favourite features of the Image/ine software, written by Tom Demeyer. The first feature –...
![Warp]()
- 1970

Discs
Discs01970HD
In Discs, originally made as installation for a set of monitors, the creators experiment with the phenomenon of horizontal drift trhough the...
![Discs]()
- 1974

Soundsize
Soundsize01974HD
Soundsize continues the Vasulkas' investigation into the relationship of sound and image. Here a pattern of dots is modulated by sounds generated...
![Soundsize]()
- 1980

Selected Treecuts
Selected Treecuts01980HD
“Selected Treecuts” is a formal examination of the distinction between camera-generated and digital images, and a layered juxtaposition...
![Selected Treecuts]()
- 1986

Voice Windows
Voice Windows01986HD
With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface
![Voice Windows]()
- 1982

Somersault
Somersault01982HD
Using one half of a convex mirror mounted within a glass cylinder, Steina trains the video camera eye dead center as she records the space...
![Somersault]()
- 1977

Flux
Flux01977HD
In Flux, Steina films a river from a wide angle, deforming the image to the point of creating a sort of radiating, aqueous ball - like a liquid...
![Flux]()
- 1974

C-Trend
C-Trend51974HD
![C-Trend]()
- 1997

Orka
Orka01997HD
STEINA: “My background is in music. For me, it is the sound that leads me into the image. Every image has its own sound and in it I attempt to...
![Orka]()
- 1975

Homemade TV: The Electronic Image
Homemade TV: The Electronic Image71975HD
A broadcast presentation of Steina and Woody Vasulka's experiments with the electronic image. Featuring a 15-minute "jam session" of improvised video...
![Homemade TV: The Electronic Image]()
- 1973

Vocabulary
Vocabulary01973HD
![Vocabulary]()
- 1970

Calligrams
Calligrams01970HD
A film by Steina and Woody Vasulka
![Calligrams]()
- 1996

Vermin of the Vortex
Vermin of the Vortex01996HD
Alienation in academia beneath the chandeliered opulence of a political correctional facility that caters to clashing cultures with chicken fajitas...
![Vermin of the Vortex]()
- 2002

Music in the Afternoon
Music in the Afternoon02002HD
Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title....
![Music in the Afternoon]()
- 1970

Thierry
Thierry01970HD
One of the works assembled in the series Sketches. These early sketches, created not without the irony, examine ways of manipulating the video image....
![Thierry]()
- 1976

Switch! Monitor! Drift!
Switch! Monitor! Drift!01976HD
B&W Vasulka project with a rotating camera, keyed and alternating directions. This experiment is excerpted in their 1977 work Orbital Obsessions.
![Switch! Monitor! Drift!]()
- 1989

In the Land of the Elevator Girls
In the Land of the Elevator Girls01989HD
In the Land of the Elevator Girls uses the elevator as a metaphorical vehicle to reveal an outsider's gaze into contemporary Japanese culture. The...
![In the Land of the Elevator Girls]()



















