Game/Wildlife

Scientists demonstrate the wonders of magnified objects.

Footage from summer of 2018 that explores the passing of time regarding the little things in life.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland a...

Lucía and Valeria take out three Tarot cards that reveal the first two dishes of a menu that takes them from Embún, Spain to Llanquihue, Chile; the to...

A mysterious web of international shortwave radio towers once dominated the Tantramar marshlands near Sackville, New Brunswick. For almost 70 years th...

Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for...

Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dyn...

Embarks on a journey that traces the life and work of Antonio Martorell, a prolific plastic and multi-disciplinary artist in Puerto Rico. This film is...

Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the N...

Knokke, Belgium. A small mundane coastal town, home to the beau-monde. To compete with Venice and Cannes, the posh casino hosts the second ‘World Fest...

An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots o...

SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to...

A short film about the meeting of a Trappist monk and a Zen Buddhist master.

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positi...

Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see...