The Machine That Killed Bad People

Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular mul...

This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag...

A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.

In Untitled (Pink Dot),Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction...

Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foi...

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish...

I Can’t Get Away is a three-channel black-and-white silent video. The video depicts 4 sequences: a figure perpetuating walking away; a figure bounded...

The quixotic journey of Nam June Paik, one of the most famous Asian artists of the 20th century, who revolutionized the use of technology as an artist...

Experimental film.

The Karikpo masquerade - a traditional dance of the Ogoni tribe - is transposed onto the remnants of a faded oil industry programme in the Niger delta...

A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.

A memorial mourns as time passes

In “Samples II”, Alÿs walks around London with a drum stick in his hand, playing the sounds of metal fences beside him.