Space Cell Movies

Turn the reel manually. Stop moving to see. The frame burns. I can't face the face in the frame. Continue to spin the reel.

Exhibition version of how surely gravity's law I

This film is made of footages shot on the rooftop of my friend's house at Kathmandu, Nepal. Lazimpat is a name of the street where the house locates....

A prelude on rewriting the history of pathosformel, in which fictional and real characters related to death are documented. One afternoon, a fictional...

This film is inspired by a moment of one autumn day in my childhood. The moment I experienced was impossible to be measured or represented. I became c...

Conversation brings and changes the memory. Sometimes, it is a procedure that concludes upon certain memory. In this context, the way of conversation...

A portrait of Lee Ki-young, a novelist who led the proletarian literature movement in Korea during the Japanese colonial period.

In an empty warehouse the expressive movements of a dancer tell an emotional story. Attention shifts between image and the filmstrip-from one physical...

Images out of their intended context create new context, and also provide us the perception to be able to see which were there but not seen in its own...

On a clear afternoon, a small garden at home is surrounded by a silence that seems to last forever. Only the gestures of the cats let me experience th...

The Choreographer and filmmaker have collaborated on the work under some rules. 1. To structuralize the movements such as behaviour, pose and gesture...

Tension. Just before the moment that a bird flies away when one person come up to the bird.

I film about you and me. But I'm not in this film.

This work is a sort of documented film of live performance with improvised communion with music as replacing the body of dancer into film.

This film has a form of dance films. It is not because most of the images of the film show dancing, but because the film seeks for the relationship be...

A woman lying on the beach, her body subjected to the tide of the black and white film material and the lust of the material which grabs her, hides he...

Synchronic and diachronic figures and texts are mutually connected, at the same time, however conflict each other. The figures and texts reveal what a...

A lot of experiences, memories, emotions, events of life have gone in life. After every sense, every experience, every memory has gone, what happened...

Dream is obscured when someone remember that. Image is distorted when I touch the film. Death, relaxation and fantasy.

Dust and vulnerable film material are not usually friends. In Dust, the photographed images of dusty spots and the actual surface of the film become o...