Do Not August, 1991

Every winter, a small town in Castilla-La Mancha called Luzón transforms into a little hell. Its inhabitants, dressed as devils, venture into...

(Always) Next to Me is a 16mm film that pairs abstract sequences of plants developed directly on the film emulsion with intertitles briefly...

Other than the ocean, the rest of the planet was bathed in purple, which was due to the colour of the vegetation. The change in the sun’s...

To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy...

An experimental film to see how much information the eye can take in from continuous single frame images and from single frames of widely different...

A camera calligraphy of the coastal bush -- celebrating growth, summer light, rock and plant textures.

This film was provoked by a trip on the overhead railway through the centre of Chicago in 1991. I filmed a twelve minute piece facing forwards in the...

The marks of the violence of the Chilean state, against its own compatriots. Flicker Film. 35mm B & W Still Photography. Silent.

Games with muscles, games with power, SM games. The naked body employed as a prop. Perceptions of one's own body are the focus of Body-building, and...

A visual journey through the Mapocho river.

Terminal City records the demolition of the Devonshire Hotel in Vancouver; through extreme show motion (200 frames per second) and symmetrical...

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland...